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Flick Rush is a battle-style mini-game appearing in Kingdom Hearts 3D: Dream Drop Distance. It allows the player to pit any team of three of his or her Spirit Dream Eaters against an opponent's through a series of tournaments against the computer or in wireless battles against other players. Players can exchange the medals they win for completing tournaments at the Medal Shop to purchase new commands, recipes, and other prizes. One can play Flick Rush by speaking to the moogle located on the northeast end of Traverse Town's Fourth District. The tutorial for this mini-game is initiated when Sora visits Rhyme. If, however, Riku speaks to the moogle to initiate the tutorial before Sora visits that area, then the tutorial is skipped. Mechanics[edit]Basics[edit]Similar to Kingdom Hearts Chain of Memories, Flick Rush uses a card-based battle system in which players pit any team of three of their Spirit Dream Eaters against an opponent's. Flicking these cards upwards on the Nintendo 3DS's bottom screen allows a Spirit to use one of its special attacks, while flicking cards downwards raises a barrier around the player's Spirit. The player must attack with cards of a higher value than the opponent to deal damage to his or her Spirits until all three have had their HP depleted to zero. Using cards for offense depletes the Action Gauge located on the Nintendo 3DS's touch screen. If this gauge is fully depleted, the player will not be able to use cards for a short time until the gauge automatically refills itself. Using cards for defense does not deplete the Action Gauge. If a player's defending card is of a higher value than the opponent's, it will evolve into a better one. Card values[edit]When the player uses a card, a numerical value appears above his or her Spirit. Should the player use a card with a higher value than the opponent's for either offense or defense, his or her Spirit will break the opponent's card. Cards marked with a star possess the ability to break any of the opponent's cards, regardless of value. If the player selects multiple cards at once in rapid succession for either offense or defense, the values of the cards that the player chooses will be added together. While this leaves the player's Spirit with fewer available cards and necessitates the switching of Spirits at a more frequent rate, this tactic allows the player to deal higher damage and outlast the opponent through sheer aggressiveness. Evolved cards[edit]After successfully blocking the opponent's attack, the first card used by the player will evolve, doubling its power and changing to a special evolved command. There are seven different evolved commands, and the command used depends on the active Spirit. Card duels[edit]When both the player and the opponent use a card of the same value, a card duel will begin. If this occurs, the player must rapidly flick cards upwards to try and get three of the same symbol in a row, similar to a slot machine. The first player to do this successfully deals moderate damage to the opponent's Spirit. Reloading cards[edit]The player can reload his or her deck at any time by holding the stylus down on the icon of the Spirit currently in battle located on the touch screen. When the blue gauge that appears fills completely, the player's deck will be reshuffled or replenished. Each reload yields eight new cards. Switching Spirits[edit]The player can switch the Spirit participating in battle at any time by tapping on one of the currently inactive Spirit's icons located on the touch screen. Cards reload slowly but automatically for Spirits when they are on the sidelines, so it is recommended that the player do this as an active Spirit begins to run out of available cards as an alternative to reloading the deck. Tournaments[edit]When participating in tournaments, the player faces off against computer-controlled opponents. The player receives medals for every round won in the tournament, as well as either a bronze, silver, or gold trophy depending on his or her performance in each round at the tournament's end. New tournaments are unlocked by completing those already available or progressing through the story. Wireless battles[edit]Players can challenge other players to Flick Rush battles, but both need to have wireless communication enabled, a Nintendo 3DS, and a copy of Kingdom Hearts 3D: Dream Drop Distance. If an opponent is within range, his or her in-game nickname will appear on the list on the Nintendo 3DS's top screen. Depending on who is hosting the match, either choose the opponent's nickname on the list located on the top screen or select 'Seek Opponent'. Once said opponent has been located, the host must select 'Ready' to proceed to the Spirit selection screen and finally to the match itself. This function is not available in Kingdom Hearts Dream Drop Distance HD. List of Flick Rush cards[edit]
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I am fully aware that I will face a lot of flack for this post, but it’s one that I feel needs to be written. Most of my author friends are on Facebook. Hell, many of them have created their own communities on the platform and depend on it for advertising revenue. Many valuable writers groups exist solely on Facebook. I understand the inherent draw and can list a ton of valid rebuttals off the top of my head. This was not a rash decision. It took a lot of time and effort to reach this point, but now I can proclaim with confidence:
“No, I am not on Facebook. And you shouldn’t be either.”
I should start by saying that I was on Facebook for a long time. When I was a new author, I dove head-first into the marketing machine and swallowed every tip I could find. Interacting with Facebook wasn’t a shallow dabble or passing interest. I was in it to win it. I invested my time, my attention, and my money.
And now I regret every second of it.
My decision to leave Facebook wasn’t due to a single thing. It was an amalgamation of many things, a clog of degradation and anti-productivity that finally kicked me out of the haze.
This was an ethical decision.
Marketing is about sales. Everything I do apart from writing is about selling said writing. When I post something on social media, it is with the hope that readers will find it interesting enough to buy one of my books. It’s that simple. It’s an emotionally sterile transaction.
However, posting on Facebook crosses an ethical line.
The founders of Facebook readily admit that the platform was designed to be addictive. It’s a virtual slot machine that creates gambling addicts. So when it came time to hand over money for the privilege of showing ads to those addicts, I hit a brick wall of morality. The ads I ran didn’t last long. It felt … evil.
I have no problems purchasing ads that leverage mailing lists. BookBub is a prime example. Readers sign up for the service and expect deals on books. I then purchase ads that fulfill that promise. It’s a neutral transaction that benefits everyone involved.
Facebook, on the other hand, is acting like a drug dealer. They throttle organic reach and then charge to get it back (the much-maligned “boosting” scam), and their ad service is notorious for sucking budgets dry. It’s not hard to understand why countless businesses are fed up with the platform. If they could charge a “login fee” and get away with it, they probably would.
And this is on top of the endless scandals, privacy issues, and shocking overreach. Two words: Cambridge Analytica. Facebook has become an answer to “What plagues modern society?” It’s no longer a social hub for friendly banter and funny memes. As tech guru Jaron Lanier rightly points out, it has mutated into a “behavior manipulation engine.” It is truly alarming how many people now cite Facebook as their primary news source. It’s a raging sea of disinformation and shady business that I want no part of anymore, personally or professionally.
I am willing to bet that many famous authors wish they weren’t.
I have studied the profiles of many famous writers like Stephen King and J.K. Rowling. I remember gazing at their massive followings with starry-eyed envy. “If only I had those numbers,” I thought to myself. “Imagine the influence I could wield.”
And then Stephen King had a very public fallout with the political community.
And then J.K. Rowling had a very public fallout with the trans community.
I watched both incidents through widened eyes, beyond thankful that I didn’t have to suffer those blowbacks. Regardless of allegiance, both were vicious battles that trended for weeks. They were even spotlighted by worldwide media. Even George RR Martin wasn’t immune, as his Hugo Awards debacle severely wounded his media clout.
Now I think to myself, “Thank goodness I do not wield that level of influence.”
I did my research.
I want to make it abundantly clear that this decision was not made on a whim. This was a slow decoupling that took a lot of time and effort. Abandoning buyer pools goes against all business logic, so there has to be a damn good reason to do so.
There were times when I thought, “Meh, it’s not harming anything to keep my account active.” Other times I thought, “Maybe I’ll unlock the secret that turns engagement into gold.” I went through a lot of bargaining, justification, and outright denial.
And then I read these books:
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Deep Work and Ten Arguments are the most relevant to this topic, but really anything by Cal Newport or Jaron Lanier will do the trick (Digital Minimalism and You Are Not a Gadget come to mind). Both authors are heavyweights in the IT field, not just eager chaps with ideas to sell. Newport is an Associate Professor of Computer Science at Georgetown University. Lanier is Silicon Valley royalty and a founding father of virtual reality. In other words, when they speak, powerful people listen.
Not that I’m powerful, but damn did I listen.
Their scathing critiques of social media are difficult to ignore. And while I haven’t detached from all of it (yet), the writing is definitely on the wall.
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When I do use social media, I focus my effort and keep it short.
I still use Twitter for one and only one reason: they do not erect paywalls between me and my followers. I can still inject content into hashtag silos, which reward me with website traffic. In fact, even before I abandoned Facebook, Twitter accounted for the vast majority of my social media referrals.
I also keep my engagement brief and limit the time that posts stay active. Everything I share is a link back to my website, which strips the platform of its addictive power. Interacting with my posts will redirect you here, my ever-growing repository of personal content. I want readers to scroll through my blog, not a graveyard of outdated tweets.
It’s still a neutral exchange (for now). But as J.K. Rowling can attest, you can pay a heavy price for venturing outside of your professional domain. Being on Twitter is a risk, but it’s one you can mitigate. If you check my feed, you will notice right away that it’s strategically contained. No politics, no topical issues, no social opinions, just me and my writing.
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I have embraced the trinity of ownership: website, blog, and mailing list.
A common refrain in digital marketing is “never build your house on rented land.” This is the entire business model of social media, in that they control access to your own audience.
You may think that you own that Facebook Page, but they erect paywalls between you and your subscribers, effectively holding your engagement hostage. You can lessen that barrier with “boost” fees, but that’s an incredibly sinister practice. It’s the social media equivalent of baggage fees.
Instead, authors should focus on the three silos that they have full control over: their website, blog, and mailing list. The time you spend inside the virtual slot machine is FAR better served creating reader magnets or learning how to leverage SEO.
My conclusion is anything but conclusive.
It’s frustrating to admit that I lack a satisfying verdict. I hate social media, but I still use it to a limited degree. I loathe Facebook, but I sympathize with authors who are bound to it. I firmly believe that no writer should reside on the platform, but I stop short of openly preaching that gospel. This post will carry that torch, and I will point to it whenever anyone asks if I’m on Facebook. I can only hope that some of you will read these words and gain the resolve to abandon the Zuckerberg Empire.
I can sense a grand awakening on the horizon, but I have no idea when that day will come. In the meantime, I suggest watching The Social Dilemma, a fantastic documentary that expertly dissects the pitfalls of social media (click here to watch the trailer).
For now, that seems like a good stopping point. (And perhaps a good starting one as well.)
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Follow-up post:
Embrace the Trinity of Ownership: Website, Blog, and Mailing List
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Read more:
Reclaiming Ennui: A Referendum on Social Media Usage
My Big Fat Social Media Marketing Experiment
Rethinking Author Branding: Why Social Media is Marketing Poison